Artsy: How Black Artists, Dealers, and Collectors Are Boosting the Careers of Their Younger Peers

Full article by Antwaun Sargent


Of course, the rise of black-owned spaces has impact far beyond the market, and many prominent non-profit spaces, such as Rick Lowe’s Houston-based Project Row Houses and artist Mark Bradford’s Los Angeles-based Art + Practice, are positioned as “social sculpture,” an expanded concept of art coined by the German Fluxus artist Joseph Beuys, who sought to use art to address societal issues. The Chicago-based artist Theaster Gates described his 20,000-square-foot art space, library, and cultural center Stony Island Arts Bank, in the city’s low-income and largely African-American South Side, as “a demonstration of our self-reliance, self-determinism, and worth.”

The Creators Project: 22 Houses Preserve Black History and Culture in Houston

Full Article by Antwaun Sargent


In the early 90s, a group of high school students visited Rick Lowe’s artist studio in Houston’s Third Ward neighborhood. A student asked how Lowe could use his art to help foster change in the community. Lowe didn’t have an answer, but in 1993, gathered a group of local artists to see how they could use art to revitalize the Third Ward. Inspired by artist Joseph Beuys’ idea of a “social sculpture,” Lowe and the group of artists bought 22 dilapidated row houses that line a street in downtown Houston. The art-based project became known as the nonprofit, Project Row Houses.

23 years later, Project Row Houses has grown into an artist community comprised of houses that bring museum-quality work to the historically black community. The project also offers multiple artist residency programs, temporary shelter for single mothers, and after school and public art programs. In 2003, in partnership with Rice University, Project Row Houses launched Row House CDC, to build 57 permanent affordable housing units for families living in the northern section of the Third Ward community.